René Breton finds its music and visual compositions within the vivid and boundless terrain of the subconscious mind. Inspired by imagery from the French surrealist art movements of the early twentieth century, René Breton reaches beyond the current confines of rational thought and geographic boundaries to creatively represent an emergent, modern, cultural movement. Through their surrealist pop music and artistry, the band embraces, supports, and celebrates humanity on a global scale and invites its audience to indulge in unique, yet familiar, melodic experiences within every waking moment.

A chance meeting during a Thornton concert at the Basement in Nashville sparked the creative collaboration of Ryan Hurtgen and Tobin Sio. This spark grew into an inferno of ideas and drive, which saw the duo constructing studios during the day in exchange for recording time by night. Capturing their music on the fly – on a grand piano one night and from the exultant voices of a church choir on another – Hurtgen and Sio chronicled their musical adventure sound byte by sound byte on a portable hard drive. It was during one such impromptu, nocturnal creative session that Hurtgen showed Sio his inspiration for the visions of his songs: “Enlist” – the World War I poster depicting a dead woman embracing her child during the sinking of the Lusitania. It was then that they both realized their compositions had a surreal link to the ethereal, dream quality of these tragic subjects, enveloped in eternal green. It was also at this moment that René Breton was officially formed, and Asleep in Green was conceived.

Asleep In Green is a composite, conceptual experience of insight and sound. Twelve songs, twelve short stories, and twelve drawings meld to take us on a modern, surrealist journey, which represents the subconscious mind during sleep. Visualized by René Breton’s Ryan Hurtgen, Asleep In Green inspires us to delve into the depths of self-reflection without an intended agenda. It invites each of us to get lost in its fantastical ideas of abstract fiction and subjectively experience its creative body as a personalized, waking dream.

Asleep In Green is set for a Spring 2011 release on Fifth Ace Records

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Thoughts sing in the mind of Missouri native, Ryan Hurtgen: They always have. It was something his parents recognized and is also the reason he started guitar lessons early in his youth. In Ryan’s consciousness, every book, philosophy, and work of art reveals movements, melodies, and rhythm. As a result, his mission is to write, orchestrate, play and sing that music for all to enjoy. After earning his Bachelor of Arts in History from the University of Missouri, Ryan brought his creativity south. Settling in Nashville, Tennessee, he found further inspiration in working with the Nashville Ballet, which ultimately proved to be an influential stepping-stone on his path to manifesting the vision and voice of René Breton, which he does with profound grace

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When Ashley Reneau sings, you will believe her. Whether she is reflecting on simpler times, contemplating mortality, or remembering lost love-ones, listeners of her music have no choice but to be thrust into her haunting world of beauty and gloom. When she tells you that life is sad, her heartbreakingly honest delivery will make you forget there was such thing as happiness. Her already beautifully subtle lyrics will become exponentially more understated once you realize that there aren’t words to express the sadnesses coming from that voice. Conversely, when Ashley focuses on life’s simple joys, the unspeakable bleakness that she previously painted so effortlessly will, just as effortlessly no less, become filled with all of nature’s most vibrant colors. Don’t let the voice fool you though. Behind that delivery are uniquely well-crafted and timeless songs that would be just as at home on the radio as they would be in a smoky east-side hole-in-the-wall or, for that matter, a southern church in the 1930s. Ashley’s songs consist of an unclassifiable blend of gospel, folk, and alt-country that makes comparison to other artists a difficult task. Traces of her influences, such as Patty Griffin, Ryan Adams, and Gillian Welch, are vaguely but never explicitly felt throughout her catalogue. Mostly, listener’s of her music will get the feeling that Ashley is not trying to sound like anybody or target any certain audience but is writing exactly what she feels; either that or she is the world’s biggest con-artist. At a time when honesty in music has almost become an oxymoron, it is refreshing to submit yourself to Ashley’s world and remember what it’s like to listen to music and actually feel.

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is the true story of best friends playing music together who formed out of spontaneity and chance. Combined with the creative environment they were surrounded by and their vibrant neighborhood filled with eclectic musicians, it was not only conducive for but also created a natural transition to play music together and form a band. The Oh Darling kids make music together simply because it is the natural thing for them to do.

All from the thriving music city of Portland, Oregon, Oh Darling are Jasmine Ash on vocals and keyboards, J.Marie Hall on bass, Daven Hall on guitar, and Jake Endicott on Drums. Jasmine had been singing and playing keyboards/guitar as a solo artist for six years prior, while the Halls were both bass players for a significant amount of time. Jake had developed himself as a drummer for over ten years, playing in another band called Jonah, prior to joining Oh Darling in early 2008.

Playing music for years and their immediate chemistry allowed Oh Darling to come to fruition. It began with a conversation of the idea to write and play music together between Jasmine and J.Marie at a wedding. A few days and a few glasses of wine later, they had written four songs. “ The good ones, at that!” JMarie proclaims. Jasmine moved in with JMarie and Daven soon after, thus convincing Daven to switch to guitar, which led them to play together for the first time in late 2006. It only took one practice to unanimously agree they worked very cohesively, “… it just felt right,” Jasmine says, “We knew we had made the right combination.”

Influenced by bands such as The Pixies, Blondie, and Built to Spill, Oh Darling really is a darling band with a diverse background. By not following a formula, they write sweet, simple, unforgettable and straightforward pop songs with endearing melodies. It is also in their favor that they perform with matching outfits, possess adorable good looks and quirky personalities, while delivering an irresistible, memorable sound.

Myers’ soon-to-be-launched debut solo album will have its pick from over one hundred and fifty tracks, which he has compiled in the last year. Recently, iTunes release of Myers’ “The Good Life EP” was highly successful in presenting his carefree tunes, “A Beautiful World” and “The Good Life” .

One of America’s most popular retailers, Target, widely praised for it’s artistic television ads, chose the music of Tim Myers to represent six nationwide commercials. “A Beautiful World” aired in Target’s 2008 ‘Design For All’ Campaign and Myers’ vibrant track, “Brand New Day featuring Lindsey Ray” is currently featured in a series of 5 unique commercials for the well-known retailer. Auto manufacturer, Saturn currently aired three national commercials featuring “The Good Life” .

Myers’ music has also been licensed by various TV shows and films such as Hotel For Dogs , The Waterhorse: Legend Of The Deep, ABC’s Greys Anatomy, Private Practice, The CW’s One Tree Hill, and Lifetime’s Army Wives, along many others. Myers’ songs have also contributed to the production of various independent films. Tim Myers has impacted the television world like no other independent artist in history.

Music has been the driving force for Tim from a very young age. Being compelled by piano at age five, guitar and bass were introduced to him shortly after. At eighteen, he joined the Platinum selling band OneRepublic. Myers entered the studio with the group, writing and performing on their debut record, “Dreaming Out Loud” , prior to leaving the band a few years later to embark on his solo career. Writing credits for the OneRepublic record include the Billboard hit single “Stop and Stare” as well as “All We Are”, “Someone To Save You”, and “Prodigal”.

A true songwriter and visionary, Tim Myers does more than write ‘good’ songs. He creates synergy between him and the listener by evoking intimately warm, fresh and cheerful emotions. He finds influence in music’s greatest songwriters; John Lennon, Paul McCartney, and Bob Dylan. By also seeking inspiration from The Beatles’ catchy melodic rhythm and lyrics, a touch of The Beach Boys-esque harmonies, while infusing his own modern twist, Myers has introduced a unique style of songwriting to the world. While he has become known for his encouraging messages and explosive choruses with tracks like “The Good Life” and “Brand New Day” , Myers also reaches deeper with songs such as “I Can’t Go On Living Without You”, “Remember When (featuring Schuyler Fisk)” and “This is Love”. Although these tracks have yet to receive as much recognition in advertisements and television, they clearly have the power to connect with people on an organic and human level. A writer and poet, Myers also often finds inspiration from America’s most prominent authors and poets like Charles Bukowski, T.S. Elliot, C.S. Lewis, George Orwell, and Ralph Waldo Emerson. ,

While major record labels and music companies are now making significant amendments to their business models to appease the rise of unsigned artists through the digital movement, Tim Myers has unintentionally paved a new path for all unsigned artists. His exposure has been amplified by television and film, similar to the way radio has been a driving force for the major label artist.

Aside from working on his own music, he continues to produce, write and collaborate with several other noted artists such as Tyrone Wells (Universal/Republic), Lindsey Ray (Original Signal), Days Difference (Universal/Motown), Mozella (Universal/Motown), Mitchel Musso (Disney), Schuyler Fisk (Independent) among many others.

With his notable success and consistent yet unique songwriting, Tim Myers will continue to make a strong impact as an artist in the constantly evolving music industry.

HellYa!, Inc. founded by Heather Peggs in 2005, has gained notoriety for its club nights in Los Angeles.  HellYa! has had a history of breaking great acts before getting signed to a major and/or an agent, one of which is Gregg Gilles (aka GIRL TALK) and other notable artists Hell Ya! have featured include: KATY PERRY, Metro Station, 3OH!3, Iglu & Hartley, LMFAO, Jeffree Star, HyperCrush, The Jakes, COLD WAR KIDS, Chromeo, Sam Sparro, CARNEY, HOCKEY, 2AM Club, Josiah Bell, Rob Roy, St. Vincent, CSS, Imarobot, Reeve Carney, Chris Garneau, Ghostland Observatory, Flosstradamus, Margot & the Nuclear So & So’s, Ra Ra Riot, The Mae-Shi, Tapes N Tapes, etc….even Beck!  As a DJ (aka hellyaheather!) Heather Peggs has opened for MGMT & Yesayer, LMFAO, Sam Sparro, & Ghostland Observatory.  Hell Ya! Has expanded to Hell Ya! Records in 2009 as it was acquired by Elektra Records/Atlantic as an imprint overseen by Mike Caren, co-president of Elektra Records. www.hellyadeejays.com, www.myspace.com/hellyadeejays

“Heather has the all the skills a modern music executive needs to be successful; she’s hard working, focused, creative, and entrepreneurial to the core.  We see big things for her and Hell Ya. Hell Yeah!”  -   Mike Caren (co-president of Elektra Records)

”Every radio station has at least ONE human who is so passionate about music, they are constantly going  ‘here listen to this!’, or ‘check this out!’ Here at KROQ her name is Heather.” – SLUGGO (KROQ DJ)

Hell Ya! Presents, led by Heather Peggs and her tastemaker Deejays, continues to feature local and visiting artists on the cusp, many times before they go on to bigger things.  Seems like it’s about time Heather and Hell Ya! got a label deal of their own, or have they already?  Hell Ya! Records? Stay tuned…’- RM64/FutureSounds

“I think of booking bands as a new form of A&R, it’s one way of showcasing new talent and putting a new band on a great lineup could really help that band get noticed.” -Heather Peggs, President, HELLYA! Records

Recently named one of Billboard’s 2009 “30 Under 30” Heather Peggs, President and founder of  HELLYA! a music collective, which includes a record label, booking club nights and show presents, MP3 blog, podcast and deejaying.  Some of the bands Heather booked for past HELLYA! Nights include: CSS, Chromeo, Flosstradamus, Beck, Cold War Kids, Sam Sparro, Girl Talk, She helped put together Metro Station, other notable bands she’s worked with include Ghostland Observatory, Ingrid Michaelson, Eric Hutchinson, Reeve Carney, Iglu & Hartly, HyperCrush, LMFAO and Katy Perry. Peggs continues to put together HELLYA! Mixes and spins the freshest new indie music at her shows. Heather Peggs and has been involved with several projects that have significantly impacted the mainstream world in their own formats, including Metro Station, Silversun Pickups, Muse, 3OH!3 and Cold War Kids.

Originally from Pittsburgh, Pennsylvania, born May 23^rd, 1980, Peggs got her start early at a local rock radio station on the morning show called B94.  Knowing that she wanted to stay in radio, her goal was to reach a broader audience and soon landed an opportunity at The World Famous KROQ in Los Angeles. While on-air for three years on The Kevin & Bean Morning Show, Heather did KROQ’s Aircheck, Promos, Sluggo’s Catch of the Day,occasional appearances on Loveline, The Locals Only segment and also worked her way up through promotions/programming. She was even featured on Kevin & Bean’s “Best of” Show with a segment on Gary Coleman.  Peggs’ claim to fame at KROQ was getting Modest Mouse their first Airplay (‘Float on’) without ads and prior to their album release, which lead to full rotation. Among other first spins include Muse’s “Time Is Running Out,” the Yeah Yeah Yeah’s “Maps”, and Silversun Pickups’ “Lazy Eye.” Known at the station for her mix cds, which eventually got in the hands of A&R reps at labels including Epitaph, Elektra, and Captiol Records.

While at Capitol Records Heather served as an A&R Consultant for the label and had the privilege of signing Dukes of Daville, Josiah Bell, and Hockey…she was able to get Jeffree Star his own Label deal (Popsicle Records, distributed through ADA under Warner Bros’ ILG umbrella).  Peggs was very active in both Starr’s EP (released December, 2008) as well as his then upcoming debut full length LP, scheduled to release September, 2009. His EP has already sold over thirty-five thousand copies to date and his debut single ‘Prisoner’ from the unreleased LP titled ‘Beauty Killer’ debuted at #60 on itunes’ Alternative Rock chart as well as receiving 3 million plays within the first three weeks of hosting the track on his myspace page. Also working diligently on Peggs’ most recent signing, Hockey, who was hitting festivals in the United Kingdom as well as Bonnaroo Festival.  Hockey has been receiving airplay over specialty radio, Radio 1, UK Radio as well as several reviews and recommendations on influential websites such as Absolutepunk.net, strikegently.com, and others as well as write ups in Billboard, NME and others.

It was during this time, October 2005, that the conception of the HELLYA! club nights came to fruition with regular nights at the Echo in Los Angeles. Soon after, Heather began conceiving the notion of HELLYA! beyond club nights, as a lifestyle/music collective, which included HELLYA! Records, a blog (www.hellyadeejays.com), Podcast (http://www.hellyadeejays.com) and Management. Since then, HELLYA! club nights have expanded to Spaceland, Hotel Café, The Roxy, The Derby and The Viper Room.

PAST HELLYA! Shows included:

“There will be an evolution in what I do all the time.” -Felix Cartal

Felix Cartal may be one of the most innovative DJs to enter the scene; at only twenty-one years old his mark on dance music is already impacting young(er) producers, before leading his own tour. In a world of heavy, hard-hitting bangers, Cartal is developing music of this genre into a more complex and theoretical form, revolutionizing the way dance music is created, “Felix Cartal is part of a new breed of young producers taking elements of his contemporaries and making a massive sound in his production,” Steve Aoki, Founder of Dim Mak Records. Knocking down boundaries of expectations and changing perspectives, Felix stands alone in his uniqueness of producing dance tracks; never steering from the melody, he lays certain elements from modern productions, adds meticulously chosen tracks combed together to develop explosive versatile music.

An relentlessly solid worker, the young and clever Taelor Deitcher, born April 9, 1987 has opened for artists like MSTRKRFT and Justice, while working towards obtaining a degree in English from the University of British Columbia, and released his debut EP SKELETON on Dim Mak Records in April 2009.  The EP’s four tasty tracks; “Skeleton,” “Salty Lake,” “Montreal Dreams” and “Redheads” showcases Cartal’s inventive style by his methodology altering standards of not following traditional heavy house formulas, but by using unique frequency variation and low points in sections to create melody driven heavy bass line distortion dance music. (Young producers and fans may find documented production steps on www.felixcartal.com)

Felix began his quest to achieve expertise in production in a campus studio in Vancouver while in high school, where he first observed the method of producing and mixing. By fifteen, not only was he learning from these engineers but he also began actively producing his own music. Cartal pulled from his vast, diverse library of influence ranging from his parents taste in the classics (The Beatles, Supertramp, Steely Dan, Elton John), his teenage love for Southern California punk rock (NOFX, Lagwagon), his soon after acquired taste for harder punk styles (The Blood Brothers, Red Light Sting, Lightening Bolt) and eventually dance artists such as James Holden and Alter Ego. However, it was the experimental blend of rock and electronica of Radiohead’s Kid A that marked a pivotal transformation of Taelor Deitcher to Felix Cartal, when he realized “I can pull my punk rock upbringings and push this harder edge in a club into music I wanted to make for the dancefloor.” The dark aesthetics of Kid A, the emphasis of melody in James Holden of Border Community combined with the exposure of tracks like Daft Punk’s “Rollin’ & Scratchin’” pounding heavily from full systems in clubs that truly inspired Felix to translate bass lines into developing a fresh approach to dance floor electronica.

Through his defined style and ability as a producer, Cartal is exploring a world in a different realm than others in his field.  As a firm believer in the simplicity of production and the capabilities of software as key facets, Felix uniquely writes all automation and melodies by hand.  Among a new breed of young artists, his production is developed with layers and layers of multifaceted elements, which further expand in complexity each time the tracks are heard. Cartal has been fortunate to surround himself with producers he looks up to and is dedicated to providing a resource for aspiring producers as an insight into his process of producing and creating music. (www.felixcartal.com)

Felix’s distinctively inventive style is apparent in original tracks like “Moss Vs. Trees,” “Parisienne,” and “Vancouver” in addition to notable remixes of MSTRKRFT’s “Bounce,” Dragonette’s “Take It Like A Man,” and DJ Alan Hostage’s “Gluttony.” He is also recognized for his fresh approach to pop remixes, especially on tracks such as Ashlee Simpsin’s “L.O.V.E,” Brittney Spears’ “Outrageous,” and “Madonna’s “Hung Up” For his first tour, Cartal had the incredible opportunity to play out these tracks opening for one of his favorite artists MSTRKRFT last year, who have been very supportive of his development. Cartal’s reputation of high energy performances and attracting other fan bases into his own by feeding from the audience’s satisfaction has garnered him a reputable place on stage with MSTRKRFT, Justice, Steve Aoki, Busy P, Vitalic, Felix da Housecat, Richie Hawtin and others.

With a proper home at Undocumented Management and Dim Mak Records, Felix is thrilled to have such experts pursuing his music at every length. Fans can expect more dates with MSTRKRFT in the US, Canada and Mexico, SouthXSouthwest in Austin, Texas, Winter Music Conference in Miami Beach, Florida, Asia and Europe and a slate of remixes this year.

His debut EP SKELETON is available now on Dim Mak Records.